How do you bring attention to the compositional genius of a jazz artist, who, though internationally beloved by colleagues as one of the greatest baritone saxophonists to ever live, has been marginalized by history books and ignored as a composer? That, in sum, presents the quixotic challenge taken on by Gary Carner with his digital box set, JOY ROAD: The Complete Works of Pepper Adams (Volumes 1-5), coming September 11 from Motéma Music, and his exhaustively researched book, Pepper Adams’ Joy Road: An Annotated Discography, out simultaneously from Scarecrow Press.
In connection with these two grand undertakings, Motéma will also release two physical CDs: a stand-alone version of Volume 5, I Carry Your Heart: Alexis Cole Sings Pepper Adams, singled out because it documents the first-ever versions of Adams’ music to be paired with lyrics; and the JOY ROAD SAMPLER, a CD of highlights from the digital box set that shall be made available for sale in stores and online.
Via Carner’s new literary and musical JOY ROAD offerings, the world will get a fresh and unbridled take on this musical giant. Pepper Adams (1930-1986) “was loved by everyone in the industry,” says Carner, a noted jazz historian, as well as the owner of the gourmet wine brokerage, Sommelier Direct, LLC. “The fact that he allowed me into his confidence back in the 1980’s,” says Carner, “opened my entire life, my entire world into the jazz community.” After meeting in 1984, the two became close friends, with Carner doing extensive interviews to help Adams write his autobiography. Sadly, in 1986, Adams was cut down in his prime by cancer. In the wake of his loss, Carner’s literary intentions were forced to take a turn, resulting in the annotated discography eventually released by Scarecrow this August, as well as a full-length biography that is still in the works.
“Days before Adams died,” Carner explains, “pianist Tommy Flanagan, Pepper’s closest friend, was by his bedside. He later told me that Pepper weakly motioned toward my unfinished manuscript on the nightstand, as if to say ‘please make sure my legacy gets out there.’ When I heard that story,” Carner continues, “I knew I had to finish this work. The guy was an absolute genius as a musician, as a stylist, and as a composer… incredible! I needed to let the world know about those three things, especially the compositions.”
Now, 28 years after meeting Adams, Carner’s labor of love is complete. But what about the amazing Pepper compositions that Carner discovered along the way, mostly on out-of-print discs? The only way to introduce the world to all 43 tunes as a collection would be to produce contemporary recordings of the Adams songbook — a passionate undertaking, to say the least.
Carner chose to highlight the versatility of Adams’ compositions by placing the music in different settings. He engaged Chicago pianist Jeremy Kahn to record Volume 1 in a trio format. Next, Carner tapped the fine Atlanta-based pianist Kevin Bales to assemble a quartet for Volume 2 with guitarist Barry Greene featured. New York based baritone sax man, Frank Basile, presides over a sextet for Volume 3; and for Volume 4, Carner brought Kahn back with his trio and special guest, Gary Smulyan, who is Adams’ chief acolyte and was just voted Baritone Saxophonist of the Year for 2012 by the Jazz Journalists Association.
With Volumes 1-4, the 43-composition oeuvre was complete, but Carner had one more mission to fulfill. He had heard of Pepper’s unfulfilled wish to have lyrics set to his seven ballads. So, for the vital fifth volume, Carner engaged poet Barry Wallenstein (one of his literary mentors) to pen original lyrics. Award-winning vocalist Alexis Cole (also a Motéma artist), performs on this session, arranged and led by Jeremy Kahn, with both Eric Alexander and Pat LaBarbera featured on tenor saxes.
The fifth volume completes Carner’s massive tribute on a highly original note. Resetting Adams’ seven ballads in different tempos and styles, and pairing them with Wallenstein’s richly literary lyrics, serves as an especially fitting tribute to the creative, witty, well-read jazz legend who had named many of his compositions after famous literary works, such as “Lovers of Their Time”. The songs also add seven luscious new additions to the vocal jazz canon.
Carner’s historically detailed liner notes provide important career facts about the bari giant, who played with virtually every major jazz legend. There are also amusing anecdotes about the genesis of each song in the collection. The JOY ROAD SAMPLER includes an abridged version of the notes from the Complete Works set.
To launch his new book and music offerings, Carner has collaborated with Motéma to co-opt his regularly scheduled Sommelier Direct fall wine sales route, and turn it into a 30-city JOY ROAD release tour, in which he will preside over book and CD signings; emcee live music performances of Pepper’s music; do radio publicity stops; and give college lectures… with wine tastings all along the way!
Live music highlights on the tour include: Jeremy Kahn performing Pepper Adams at The Chicago Jazz Festival (Sept. 2); the star-studded PEPPER ADAMS JOY ROAD CELEBRATION NYC (September 24 -30); an Adams’ birthday celebration led by Pat LaBarbera in Toronto (10/6), and a Pepper Adams week in Los Angeles featuring Gary Smulyan, Dale Fielder, and Eric Reed.
The New York City week is the most lavish. It kicks off with premiere performances of new Adams big-band charts at the Village Vanguard by the Grammy® winning Vanguard Jazz Orchestra (in which Adams once held the baritone chair); there is an Alexis Cole CD release at Smoke (9/29); a spectacular performance dubbed “The Three Baris” at Marcus Samuelson’s Red Rooster/ Ginny’s Supper Club in Harlem (Sept 30) – The Three Baris are: Gary Smulyan, Frank Basile, and Joe Temperley. They will be backed by famed Pepper Adams’ collaborators, George Mraz (bass), Don Friedman (piano) and Kenny Washington (drums). And, to top off the Pepper feast, Birdland Jazz Club will present new Bevan Manson string quartet arrangements of Adams’ ballads; a tribute to Pepper by world renowned composer David Amram; and on that double-billed evening, a special feature with Arturo O’Farrill and Lew Tabackin.
As for the jazz musicians participating around the country, Carner is thrilled at their enthusiasm: “They have all been flipping out for the chance to participate; there’s so much love for Adams. That’s really what it’s about; it all gets back to the heart. People are coming out of the woodwork.”
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